{"id":1410,"date":"2021-03-30T16:12:44","date_gmt":"2021-03-30T16:12:44","guid":{"rendered":"http:\/\/www.albertllanas.com.mialias.net\/?page_id=640"},"modified":"2021-09-27T16:11:18","modified_gmt":"2021-09-27T16:11:18","slug":"melos-3","status":"publish","type":"page","link":"https:\/\/www.albertllanas.cat\/?page_id=1410&lang=en","title":{"rendered":"Melos"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The Greek word <em>melos <\/em>was initially used with the sense of \u00abarticulation\u00bb, although it ended up specifically designating the tonal component of sound or melody. That is why I wanted to maintain here this double significance as a tonal component (motif, theme, etc&#8230;) and, of course, as a general articulation principle of all the composition that develops in short modules characterized by their variations in musical gesture<strong>&nbsp;<\/strong>affecting different parameters, especially in the the work of orchestration.&nbsp;This articulation leads all the lines of the piece from materials that are continuously generating derivations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The work is short, lasting between 8 and 9 minutes. It uses clear writing using only more contemporary resources when sporadically required. It pursues an almost chamber-like role that brings it closer to a concerto for orchestra.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Greek word melos was initially used with the sense of \u00abarticulation\u00bb, although it ended up specifically designating the tonal component of sound or melody. That is why I wanted to maintain here this double significance as a tonal component (motif, theme, etc&#8230;) and, of course, as a general articulation principle of all the composition [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1410","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/1410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1410"}],"version-history":[{"count":3,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/1410\/revisions"}],"predecessor-version":[{"id":4190,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/1410\/revisions\/4190"}],"wp:attachment":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}