{"id":4276,"date":"2022-08-17T14:19:37","date_gmt":"2022-08-17T14:19:37","guid":{"rendered":"https:\/\/www.albertllanas.cat\/?page_id=4276"},"modified":"2022-08-19T10:58:31","modified_gmt":"2022-08-19T10:58:31","slug":"tempora-3","status":"publish","type":"page","link":"https:\/\/www.albertllanas.cat\/?page_id=4276","title":{"rendered":"Tempora"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" id=\"tw-target-text\">Project on the painting of <em>Lucio Mu\u00f1oz<\/em> that was left unfinished at the time and that I resumed in 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" id=\"tw-target-text\">The expressive force of <em>Lucio Mu\u00f1oz&#8217;s<\/em> personal pictorial language is the reason for <strong>Tempora<\/strong>, a triptych on three of his most representative works: \u00ab<strong>Accidente geom\u00e9trico<\/strong>\u00ab, \u00ab<strong>Sin t\u00edtulo<\/strong>\u00bb and \u00ab<strong>Sequeros<\/strong>\u00ab. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" id=\"tw-target-text\">The score tries to reproduce the strong contrasts of color and texture by reducing to the minimum the sound gestures of a group of 6 performers made up of flute, clarinet, voice (soprano), guitar, double bass and percussion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" id=\"tw-target-rmn\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Project on the painting of Lucio Mu\u00f1oz that was left unfinished at the time and that I resumed in 2021. The expressive force of Lucio Mu\u00f1oz&#8217;s personal pictorial language is the reason for Tempora, a triptych on three of his most representative works: \u00abAccidente geom\u00e9trico\u00ab, \u00abSin t\u00edtulo\u00bb and \u00abSequeros\u00ab. The score tries to reproduce the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4276","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/4276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4276"}],"version-history":[{"count":5,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/4276\/revisions"}],"predecessor-version":[{"id":4312,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/pages\/4276\/revisions\/4312"}],"wp:attachment":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}