{"id":3299,"date":"2021-05-24T21:51:10","date_gmt":"2021-05-24T21:51:10","guid":{"rendered":"http:\/\/www.albertllanas.cat.mialias.net\/?p=3299"},"modified":"2021-08-26T01:25:28","modified_gmt":"2021-08-26T01:25:28","slug":"compositions-ok","status":"publish","type":"post","link":"https:\/\/www.albertllanas.cat\/?p=3299&lang=en","title":{"rendered":"compositions"},"content":{"rendered":"\n

Albert Llanas i Rich – List of Compositions<\/strong><\/em><\/p>\n\n\n\n

Solo<\/a><\/em><\/strong><\/td>CHAMBER MUSIC<\/a><\/em><\/strong><\/td><\/td><\/tr>
VOCAL MUSIC<\/a><\/strong><\/em><\/td>Orchestra<\/a><\/strong><\/em><\/td><\/td><\/tr>
CHAMBER GROUP<\/a><\/em><\/strong><\/td> Theatre<\/a><\/strong><\/em><\/td><\/td><\/tr>
MIXED WORKS<\/a><\/strong><\/em><\/td>ARRANGEMENT<\/strong>S-DIDACTIC PIECES<\/strong><\/em><\/a><\/em><\/strong><\/em><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

works in chronological order:<\/p>\n\n\n\n

1976 <\/a>MIRATGE<\/a><\/strong> (revision of 1987)<\/p>\n\n\n\n

1983 <\/a>STRING QUARTET No. 1<\/a><\/strong><\/p>\n\n\n\n

1984 A TRIO<\/a><\/strong> Clarinet, Bassoon, Piano<\/p>\n\n\n\n

1984 <\/a>IMPRESSIONS FOR VOICE AND STRING QUARTET<\/a><\/strong> <\/strong>Voice (Soprano), 2 Vi, Vla, Vc<\/p>\n\n\n\n

1984 <\/a>BXR1<\/a><\/strong><\/strong> Flute, Celesta, Vibes<\/p>\n\n\n\n

1984 POEMS OF LOVE I\/II<\/a><\/strong> Voice (Soprano), Piano<\/p>\n\n\n\n

1985 <\/a><\/strong>BXR<\/strong>2 <\/a>Guitar<\/p>\n\n\n\n

1985 BXR3<\/a><\/strong> Piano<\/p>\n\n\n\n

1985 <\/strong>BXR4<\/a><\/strong> Cello<\/p>\n\n\n\n

1985 PEZZO PER INSIEME STRUMENTALE<\/a><\/strong> Flute, Clarinet, Horn, Violin, Viola, Cello, Voice(soprano), Piano, 2 Percussionists<\/p>\n\n\n\n

1985 BXR5<\/a><\/strong> Flute, Clarinet, Bassoon, Violin, Cello, Piano, Percussion<\/p>\n\n\n\n

(1.984\/ 1.986) SEQUENCES FOR ORCHESTRA<\/a> <\/strong>3,3,3,3\/4,2,3,1\/12,10,8,8,5\/Harp, Celesta, Timpani, 3 Percussionists<\/p>\n\n\n\n

1986 \u00ab… Y SE HIZO LA LU<\/strong>Z\u00bb doppio coro a capella<\/p>\n\n\n\n

1986 <\/a>BXR6 <\/a><\/strong>Flute, Oboe, Clarinet, Horn, Bassoon<\/p>\n\n\n\n

1986 <\/a>RICERCA <\/a><\/strong>Flute, Clarinet, Violin, Cello, Piano, Vibes<\/p>\n\n\n\n

1987 <\/strong><\/a>NONIGA<\/a><\/strong><\/strong> Clarinet, Bassoon, Piano<\/p>\n\n\n\n

1987 <\/a>CONCIERTO PARA FLAUTA Y CONJUNTO INSTRUMENTAL<\/a><\/strong> Flute, Oboe, Clarinet, Bassoon, Violin, Viola, Cello, Piano, Percussion, Magnetic Tape<\/p>\n\n\n\n

1988 <\/a>DUETTO<\/strong><\/a><\/strong> Clarinet, Piano<\/p>\n\n\n\n

1988 QUINTET<\/a><\/strong> Flute, Clarinet, Violin, Piano, Percussion<\/p>\n\n\n\n

1988 THREE STUDIES FOR THE LEFT HAND<\/a><\/strong> Piano<\/p>\n\n\n\n

1988 CONCERTO FOR GUITAR AND STRINGS<\/a><\/strong> Guitar, 4 Violins I , 3 Violins II, 2 Violas, 2 Cellos, Double Bass, Harpsichord<\/p>\n\n\n\n

1988 <\/a>CONTEXTO II<\/a> <\/strong>Flute , Magnetic Tape<\/p>\n\n\n\n

1988 <\/strong><\/a>CONTEXTO III<\/a><\/strong><\/strong> Trombones Quartet<\/p>\n\n\n\n

1989 <\/strong><\/a>CONTEXTO IV<\/a><\/strong> <\/a>Harpsichord<\/p>\n\n\n\n

1989 <\/a>NECESIDAD Y AZAR<\/a> <\/strong>Flute, Bass Clarinet, Trumpet, Double Bass<\/p>\n\n\n\n

1989 <\/a>C<\/a>ONCERT PER A CLARINET I ORQUESTRA<\/a><\/strong><\/strong><\/p>\n\n\n\n

1989<\/a> <\/a><\/strong>DE MATERIA<\/a><\/strong> 3,3,3,3\/4,3,4,1\/10,8,6,6,4\/4 Perc., Harp<\/p>\n\n\n\n

(1.988\/1.990)<\/a> <\/a><\/strong>CONTEXTO I<\/a><\/strong> woodwind quintet, string orchestra, timpani<\/p>\n\n\n\n

1990 CHROMEX-SUITE FOR THREE MARIMBAS<\/strong><\/a><\/strong><\/p>\n\n\n\n

1.988\/1.990 <\/a>SPAZIO-TEMPO<\/a><\/strong> Flute, Oboe, Clarinet (A), Bassoon, Trumpet , Horn, Trombone, Piano, Percussion, Violin, Viola, Cello<\/p>\n\n\n\n

1990 <\/a>5 STUDIES FOR GUITAR<\/a><\/strong><\/p>\n\n\n\n

1991 F<\/b>ILOSONIA<\/a><\/strong> 3,3,3,3\/4,3,3,1\/12,10,8,8,6\/4 Perc., Harp<\/p>\n\n\n\n

1991 FANTASIE SUR LES FOLIES DE L’ESPAGNE<\/a><\/strong> Guitar<\/p>\n\n\n\n

1992 <\/a>CONTEXTO V<\/a> <\/strong>Saxophones Quartet<\/p>\n\n\n\n

1992 CHAMBER POLYPHONY FOR FIFTEEN STRING INSTRUMENTS<\/a><\/strong> Viola and Double Bass, 5 Violins, 2 String Quartets<\/p>\n\n\n\n

1992 <\/a>DERIVATIONS<\/a><\/strong><\/strong> 3,3,2,3\/4,4,2,1\/10,8,6,6,4\/2 Perc, Harp, Piano<\/p>\n\n\n\n

1993 <\/a>CONTEXTO VI<\/a><\/strong> Clarinet<\/p>\n\n\n\n

1993 SYMPHONY FOR ORCHESTRA<\/a> <\/a><\/strong><\/strong>(catalogue withdrawal) 3,3,3,3\/4,4,3,1\/12,10,8,8,6\/3 Perc, Harp, Piano<\/p>\n\n\n\n

1996 <\/a>PIANO QUINTET<\/a><\/strong> Piano, 2 Vi , Viola, Cello<\/p>\n\n\n\n

1996 THREE IMAGES OF THE LIFE OF FAUN<\/strong>O<\/a> Oboe, Piano<\/p>\n\n\n\n

1997 <\/a>ANTHROPOS CAPTIU<\/a><\/strong><\/strong> orchestra, Chinese shadows and Electroacoustics (4 Flutes, 2 Oboes, 4 Clarinets, 16 Violins, 2 Violas, 3 Cellos, 1 Double Bass, 1 Trombone )<\/p>\n\n\n\n

1997 DEDINS, DEFORA<\/a><\/strong> monologue with music for actress, instrumental group, voiceovers and electroacoustics<\/p>\n\n\n\n

1998 <\/a>THE SILENCE<\/a><\/strong> 1st version: Voice, Flute, Guitar, Cello<\/p>\n\n\n\n

2nd version: Voice, Flute, Bass Clarinet, Guitar, Double Bass, Percussion<\/p>\n\n\n\n

1998 NONIGA<\/a><\/strong><\/strong><\/strong> Clarinet, Viola, Piano<\/p>\n\n\n\n

1999 COMPLIMENTI 2000<\/a><\/strong> Flute<\/p>\n\n\n\n

1999 NEXUS<\/a><\/strong> for actress, piano and electroacoustics<\/p>\n\n\n\n

1999 <\/a><\/strong>THE MEETING<\/strong><\/a> soundtrack for the play of the same name by Lu\u00efsa Cunill\u00e9 (Electroacoustics)<\/p>\n\n\n\n

2000 THREE MINIATURES FOR BASS CLARINET AND MARIMBA<\/strong><\/a><\/p>\n\n\n\n

2000 <\/a><\/strong>FEDRA QUARTET<\/strong> <\/a>Percussion Quartet<\/p>\n\n\n\n

2001 MAS EXTRA\u00d1O QUE EL PARAISO<\/a><\/strong> soundtrack for the play of the same name by Xavier Albert\u00ed (Electroacoustics and several)<\/p>\n\n\n\n

2001 NONIGA <\/a><\/strong><\/strong><\/strong>Clarinet, Cello, Piano<\/p>\n\n\n\n

2001 SQUATTERS IN THE PRADO MUSEUM<\/a><\/strong><\/p>\n\n\n\n

2003 <\/a>LINEAR COUNTERPOINT<\/a><\/strong> Saxophone Ensemble (2 Sax soprano, 3 Alt Sax, 3 Sax Tenor, 1 Sax Baritone)<\/p>\n\n\n\n

2003 TROILUS AND CR\u00c8S<\/a>S<\/strong>IDA soundtrack for the play of the same name by Xavier Albert\u00ed (Electroacoustics, arrangements on G music. Mahler)<\/p>\n\n\n\n

2003 SUN REFLECTIONS<\/a><\/strong> for clarinet and live electroacoustic music (Clarinet, MAX-MSP)<\/p>\n\n\n\n

2003 <\/a>MARIMBA REFLECTIONS<\/a><\/strong> for Marimba and live electroacoustic music (Clarinet, MAX-MSP)<\/p>\n\n\n\n

2003 FORMANTS <\/strong>Electroacoustics<\/p>\n\n\n\n

2003 FORMANTS B<\/a><\/strong> Electroacoustics<\/p>\n\n\n\n

2004 CHRONOS<\/strong> Clar. bass, 2 Trumpets in C, 2 Percussionists, Piano, Mandolin, Violn, Cello<\/p>\n\n\n\n

2004 LUMEN <\/a><\/strong>2 Trumpets in C, Horn, Low Tuba, Percussion, Mixed Choir (minimum 16 voices)<\/p>\n\n\n\n

2005 CATALAN COMPOSER’S PRAYER<\/a><\/strong> Voz (Soprano), Piano<\/p>\n\n\n\n

2005 1 x 2<\/a> <\/strong>Solo or percussion d\u00fao<\/p>\n\n\n\n

2005 ANCIENT SUITE<\/strong> 2 Trumpets in C, Horn, Trombone, Tuba<\/p>\n\n\n\n

2005 <\/a>BODY DRUM<\/a><\/strong> Quartet of Percussionists using body percussion and foxglos<\/p>\n\n\n\n

2006 <\/a>THREE MINI-STUDIES AND AN EPILOGUE<\/a><\/strong> electroacoustic<\/p>\n\n\n\n

2006 I WILL ALWAYS TELL YOU THE TRUE <\/a><\/strong> soundtrack for the play of the same name by Llu\u00eds Omar, Xavier Albert\u00ed and Llu\u00efsa Cunill\u00e9 (Electroacoustics, vocal transformations)<\/p>\n\n\n\n

2006 SANGRE LUNA<\/strong><\/a><\/strong>R soundtrack for the play of the same name by Jos\u00e9 Sanch\u00eds Sinisterra (Electroacoustics, arrangements on music by Richard Strauss)<\/p>\n\n\n\n

2006 LLUVIA EN EL RAVAL <\/strong><\/a> soundtrack for the play of the same name by Pau Mir\u00f3 (Electroacoustics)<\/p>\n\n\n\n

2007\/2008 THE FALL OF AMLETH<\/a><\/strong> soundtrack for the play of the same name by Jordi Oriol (Electroacoustics)<\/p>\n\n\n\n

2007 NONIG<\/a><\/strong><\/strong>A Flute, Bass Clarinet, Piano<\/p>\n\n\n\n

2009 CAPRICCIO- SCHERZO <\/a><\/strong> Piano<\/p>\n\n\n\n

2009 FOUR AEROBIC STUDIES<\/a> <\/strong>Piano<\/p>\n\n\n\n

2010 <\/a>S\u00c9JOURS DE L’\u00c2ME<\/a><\/strong> Soprano, Baryton, Clarinet, Violin, Chelo, Percussion<\/p>\n\n\n\n

2011 <\/a>L’<\/a>AURORE<\/a><\/strong> music for Murnau’s film (Soprano, Violin and electronics)<\/p>\n\n\n\n

2012 <\/a>NOCTURNAL REFLECTIONS<\/a><\/strong> for piano and live electroacoustic music (Piano, MAX-MSP)<\/p>\n\n\n\n

2014 NEBULA<\/a><\/strong> for saxophones, Fender Instruments and Electroacoustics<\/p>\n\n\n\n

2015 REGINA CAELI<\/a><\/strong> Mixed choir (minimum 16 voices)<\/p>\n\n\n\n

2015 LAI<\/a><\/strong> Soprano \/ Chelo<\/p>\n\n\n\n

2015 MELOS<\/a><\/strong> for orchestra<\/p>\n\n\n\n

2015 TYCH\u00c9<\/a><\/strong> <\/a> 2 Violines, Violonchelo y Piano<\/strong><\/p>\n\n\n\n

2016 <\/strong><\/a>TWO FANTASIES ABOUT CATALAN POPULAR THEMES: THE LLEIDA’S PRISON AND THE HEIR RIERA<\/a><\/strong><\/strong> Guitar<\/em><\/p>\n\n\n\n

2018 PERSEO. CONCERTINO FOR FLUTE AND ORCHESTRA <\/a><\/strong><\/p>\n\n\n\n

2019 ESPACES IMPOSSIBLES<\/a><\/strong> for orchestra<\/p>\n\n\n\n

2019 LINES<\/a><\/strong><\/strong> for orchestra<\/p>\n\n\n\n

2019-2020 VIOLINO CONCERTO<\/a><\/strong> for violin and orchestra<\/p>\n\n\n\n

1999-2020 <\/strong><\/a>MOON’S IMAGES<\/a><\/strong><\/strong> Snare drum<\/p>\n\n\n\n

2020 <\/strong><\/a>STREAMS<\/a><\/strong><\/strong> clarinet, cello and piano<\/p>\n","protected":false},"excerpt":{"rendered":"

Albert Llanas i Rich – List of Compositions Solo CHAMBER MUSIC VOCAL MUSIC Orchestra CHAMBER GROUP Theatre MIXED WORKS ARRANGEMENTS-DIDACTIC PIECES works in chronological order: 1976 MIRATGE (revision of 1987) 1983 STRING QUARTET No. 1 1984 A TRIO Clarinet, Bassoon, Piano 1984 IMPRESSIONS FOR VOICE AND STRING QUARTET Voice (Soprano), 2 Vi, Vla, Vc 1984 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3299","post","type-post","status-publish","format-standard","hentry","category-sense-categoria-en"],"_links":{"self":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/posts\/3299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3299"}],"version-history":[{"count":4,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/posts\/3299\/revisions"}],"predecessor-version":[{"id":3547,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=\/wp\/v2\/posts\/3299\/revisions\/3547"}],"wp:attachment":[{"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.albertllanas.cat\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}